In my perfect world, I'd be an idea man.
I'd dream up applications, inventions, movies and a team of engineers, scientists, planners and artisans would execute the plan.
The closest I ever came was when I mused about putting our female high school principal's head on playboy spread's body and a classmate brilliantly executed that idea in an era before photoshop. (But I digress. )
The point is I get a lot of ideas.
And with my "you can't do that filter" set to "off," I tell myself I can do a lot of things.
Time and money define my limits.
New to this world of "yes, you can" my natural tendency is to flit. Start a script, begin a project, plan a revolution.
(But) Success isn't the number of ideas you hatch, it's the number that survives.
It's dogged determination (and positive encouragement) that have got me this far with my film project and script "Pink."
But at the same time bring an evolved artist means knowing how to juggle. Using other parts of the brain is helpful. So is thinking about another work. Sometimes a short project is just the distraction that shakes the mind into seeing the evasive solution to your original story.
So it was with that I launched "le chapeau genial."
You can hardly tell by looking at me, but I've never been into fashion.
Several years ago, I left a film mixer determined to come up with a viable idea for "Fashion on Film," an exhibit of films created through the California Film Foundation for Sacramento Fashion Week.
I can't remember exactly how the idea hit me, but I remember it being clear. Based on a story my dad Joseph Fletcher told me, the script wrote itself.
Then it sat for multiple years.
As this year's "Fashion on Film" approached, I had plenty of reason to let it go, again. I'm in the middle of a rewrite. I couldn't find fashion partner. We got a late start. We had no budget, couldn't get key prop, the location fell through and snowstorm came rolling in.
But there were plenty of good reasons to do it.
Fashion week would/will provide another opportunity to seek support for the feature film.
On a more personal level, it would provide an opportunity to do something suitable for my two school age nieces to see -- something I can't say about earlier projects. It would also feel good to do it for my dad. He's a storyteller. Sometimes a long and meandering storyteller. I'm listening, Pop.
Several times in the one-week preproduction, I thought "well this is when we quit." I'm not sure if director DQ Hayes thought the same thing. But he didn't say it. And I didn't say it. And we just kept putting our head down and finding solutions.
A storm Friday dropped heavy rain in the valley and snow in the mountains. But by 8:30 a.m. Saturday I-80 was clear and our caravan of parents and crew arrived in Soda Springs without incident.
The shoot went great and we even had some time for sledding afterward.
Le chapeau génial is expected to screen Feb. 24 during Sacramento Fashion Week. It features fashion from Girly Sparkles & Handsom Shop and stars Alexandria Williams.
"Le chapeau génial" (the funky hat) tells the story of a little girl who decides the hat her mother wants her to wear isn't cool.