Burlesque Legend Dusty Summers tells you how she feels about full nude

Burlesque Legend Dusty Summers is as nimble with her words as she is with her feet. She’s direct, opinionated, and seasoned with a sass decades in the making.
Interviewing Summers was one of the highlights of our documentary team’s recent trip to Las Vegas and the Burlesque Hall of Fame weekend event June 1-4. During the trip, we also visited Lacy’s Lounge, a more traditional strip club, but one that emphasizes performance over transactions.
Documentary “Do the Dance” uses the examination of a precedent-setting 1969 strip club indecency trial to tell a broader story about the limits to Free Expression. The trial over bottomless dancing (full nude) made national news when Judge Earl Warren Jr. ruled the jury needed to see the dancer ‘do the dance.’
Summers worked at the trouble-making club, the Pink Pussy Kat in Orangevale, before embarking on a career as a touring exotic dancer. At age 69, Summers is still working as Las Vegas’ only stripping magician.
Summers left the Pink Pussy Kat before -- at the urging of the club’s owner -- the performers started dancing bottomless. The fully-nude go-go performances starting a multi-year battle between the beer bar and the local authorities. Summers would later share a billing with the performer at the center of the trial Susanne Haines. Haines won Miss Nude Universe in 1972 and was the headliner.
While Haines famously fought to go fully naked, Summer didn’t want to show it all then and doesn’t now.
To find out just what the sharp-tongued Summers said you’ll have to watch the documentary.

She was one of the featured performers at the Burlesque Hall of Fame weekend. Dustin Wax, executive director of the currently expanding hall was another one of our interviews.
Our two-night stay, also took us to Lacy's is located in North Las Vegas. It bills itself as Las Vegas' only Atlanta-style (hip hop) strip club. To pull himself out of a hole, longtime Michael Jackson impersonator and dancer Craig Parks started performing in male review shows then hosting big booty events before taking on his own space connected to the historic Palomino Club. We also talked to dancers Destiny and Dream.

Documentary 'Do the Dance' hits fundraising goal

The crowdfunding campaign in support of Sacramento-based documentary ‘Do the Dance,” on Thursday reached its goal of raising $10,000 in 30 days -- just hours ahead of it’s deadline.

The project, led by veteran newspaper reporter Ed Fletcher, explores a racy Sacramento 1969 court case to take a broader look at the limits of free expression.

The indiegogo campaign received 92 contributions totaling $10,479 as of this publication. The campaign went into the final 16 hours needing an additional $716 to reach the goal.

“I’m excited to have met our goal. Now we can get back to focusing on making this film,” said Fletcher.

Director Damen Quincy Hayes said the campaign provided more drama than needed, but was glad to get there.

“I just want to get out there and make this film now,” Hayes said.

While the money generated through the crowdfunding campaign gets them a long way down the road, as Fletcher explains, they will need additional capital, likely from equity investors.  

The colorful trial over “bottomless” dancing at Orangevale’s Pink Pussy Kat will help to tell a broader story about the limits of free expression then and now, filmmakers say. The impactful Sacramento trial went national when Judge Earl Warren Jr. decided to take the jury to the club see the dancers “do the dance.” The case helped write the rules for exotic dance in California.

Fletcher, who grew up in Orangevale, learned about the Pink Pussy Kat trial from an older editor and soon found himself buried in old news clippings.

Do the Dance explores these issues:

• Self-promotion vs Free expression
• Female empowerment vs  Sexual exploitation

Historic photos, audio and background materials: dothedance.net

Connect with us on facebook: https://www.facebook.com/pinkfilm1969/   

Or on twitter at @pinkfilm1969

Drive to do 'Big Things' prompted crowdfund campaign

I've always believed I could do big things.
In high school, I built the "ram shack" student store.
In college, I took the school weekly newspaper daily during the Bayou Classic.
As a newspaper professional, it's been more of a challenge. Big ideas die because of cost, time involved or they don't fit the company plan.
Several years ago, I stumbled across the Pink Pussy Kat trial and believed I could make something interesting creatively with the story. Over the years, there were ample opportunities to decide the road was too hard and put it down. For years, I kept waiting for a big money backer to emerge or someone in Hollywood to call.
My last visit Burning Man (2016), I was in a funk. A year had passed and I was no closer to my goal. This year, I vowed to move it forward come hell or high-water. Rather than wait, I decided to make my own magic. This crowdfunding campaign forced us kick our project into high gear. We developed some amazing digital assets (poster, trailer). We also began the long process of telling people about this project with radio, television and print interviews.
Despite some obstacles, which I won't detail, we're within striking distance of our goal: raising $10,000 in 30 days.
At present, we have 16 hours to raise the final $714. Thank you for helping me do big things.
- Ed Fletcher, Ed is a Sacramento-based journalist and filmmaker.

Click here to visit campaign page

Carol Doda, Big John Misterly clash in coming documentary film

Video clips furnished by the forthcoming documentary film "Do the Dance," which uses the Sacramento 1969 trial over "bottomless" dancing to tell a broader story about the limits to Free Expression. Do the dance is currently raising funds via indiegogo.
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Former Sacramento County sheriff lays out how women should be covered under a new ordinance being discussed in response to the full nude performances he deemed indecent.  As a result of the case, the county and state officials enacted new rules.

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San Francisco topless legend Carol Doda was called to testify during the Pink Pussy Kat trial. In this 1969 clip she talks about the difference between Sacramento and San Francisco.

Poster art for doc film "Do the Dance" revealed

Stare away

Check out these designs for "Do the Dance," our documentary. Tom Beauchamp and his team at Monster Design Co. put this amazing work together.
"Do the Dance" puts us in the Sacramento courtroom and "beer bar" where the son of a legendary jurist told a daring exotic performer to "Do the Dance" in a precedent-setting 1969 case. Get your tickets to our launch party fundraiser here.
The poster art (above) and the social media art tease with this tension, while the ink dot pattern and lettering help define the era. Do you agree? Tell us what you think.

Burlesque Legend Angel Walker on the role of GoGo dancers

A lot has changed in taking it off.
Helping keep me on my toes is Burlesque Legend Angel Walker better known as Satans Angel.
Headliners like Walker and Carol Doda were the stars, but GoGo dancers were a key part of the entertainment. They kept the patrons there between acts by featured performers, Walker explains. Some clubs only featured GoGo dancers.
Just what kind of dancing was going on at Orangevale's Pink Pussy Kat a Go-Go? That's what a 1969 Sacramento trial set out to find out.
That trial is the launching point for documentary film "Do the Dance."
In this audio Walker talks Carol Doda, Go-Go dancers and the bar owners' push for more skin.





Here is my earlier interview for more on her amazing backstory.

Portland burlesque star featured at Sacramento documentary film fundraiser

The Sacramento-based team behind the forthcoming documentary film “Do the Dance” is proud to announce that a rising star in burlesque and strip will headline the film project’s Feb. 21 launch fundraiser.

Headlining this hot-ticket event is Ivizia, the reigning Miss Exotic Oregon. The event will also feature performances from Sacramento’s Midtown Moxies burlesque troupe.

The evening, at Midtown Sacramento’s Clara performing arts center, will premiere the film’s preview trailer, feature the presiding Judge Earl Warren Jr, an auction of “free expression” art and small bites from celebrity chef Adam Pachal.

Ivizia is a Portland-based entertainer who has been thrilling audiences around the world since 2001. With over 15 years of specializing in fire performance, she has also become a premiere variety entertainer and is guaranteed to ignite your fantasies. In addition to her hotter talent, Ivizia's repertoire includes roller-skating, cube spinning, comedy and a unique puppetry performance that may just give you a “religious experience”.
Ivizia holds the title for Miss Exotic Oregon 2016 and is crowned "Queen of Roses" for 2016 Oregon Burlesque Festival.

The Midtown Moxies Burlesque troupe were formed in late 2014 and have been packing the house ever since! You can see them every 1st Saturday at Midtown Barfly and every 3rd Friday at The Blue Lamp. The Moxies blend classic moves and elements with modern music,  sultry singing and hilarious comedy, creating diverse performances that please every guest.

“Do the Dance” is a feature documentary the uses Sacramento’s infamous “bottomless” stripper trial to tell a broader story about the limits of free expression.

Veteran Sacramento Bee reporter Ed Fletcher is the project’s creative lead. DQ Hayes, formerly of the band Shakedown, is directing and is a
producer.

Get tickets HERE

Progress, setback in search for crusading stripper

Exotic dancer Susanne Haines (edited)

Yesterday was one of those "good news, bad news" days in my on-again search for Susanne Haines -- the dancer at the center of Sacramento's landmark 1969 strip club indecency case.
The case made national headlines when Judge Earl Warren Jr. decided the jury needed to see the dance to decide whether it violated community standards. It also featured a performance from San Franciso dancer Carol Doda. It remains relevant because the case helped set the rules for exotic dance in California.
The bad news: new clues lead to yet another dead end (for now).
Good news: I found her sister Evangeline Fullmer AND she agreed to be interviewed on camera.
Finding Susanne has been no so simple get.
She was Susanne Haines
But first she was Susanne Tropper
then she was Susanne Register
and now Susanne Medina
Suddenly after months of no progress, I had actionable intelligence (i.e.  a phone number and address).
But alas it appears Susanne sold her central Florida residence and moved again. (Confirmed by a neighbor and realtor.com) If she not running sometimes it appears that way.
In the great news category, I've tracked down both her siblings Carlton Tropper and Evangeline (Tropper) Fullmer.
I spoke with Evangeline for about an hour.
The conversation started awkwardly, as one might suspect. I call out of the blue and her I am asking about things that happened nearly 50 years ago. But once we started talking, I think she enjoyed the trip down memory lane. At 73, she's sharp and thoughtful.
As a teen herself, Evangeline became the de facto mother to her younger sister Susanne and brother Carlton after their mother died and their father slid into alcoholism.
Susanne emerged as a free-thinking firebrand, unafraid to do her own thing.
"Susanne was different. She beat to her own drummer," Fullmer said. "Knowing Susanne I wasn't surprised," she said of her sister's path into stripping.
Susanne's sister won't be much help finding her. She didn't know Susanne had moved and isn't in regular contact with her once newsworthy sister.

Carol Doda's dead, now what

Death of would be documentary star adds urgency to project 

Carol Doda performing at Chuck Landis' Largo during Sacramento obscenity trial 

By Ed Flethcher
Meeting Carol Doda always seems a matter of when, not if.
Once I began to pursue producing a film about Sacramento’s infamous strip club indecency trial, I’d decided Doda could be key in securing more media coverage and access to financial backers.
The world famous San Francisco entertainer turned the 1969 trial into a national story when she was called to testify by performing a striptease for the jury.
Doda’s cooperation and (hopefully) support would open the doors to media coverage and financial backers, I’d reasoned.
While I briefly spoke with her (more on that later), I never got my interview.
She died Nov. 9  at age 78 due to complications related to kidney failure.
Doda’s death and the passing of Sacramento County Undersheriff Larry Stamm is a sad reminder that time is of the essence when it comes to uncovering dusty historical gems contained in human memories.
When the project was first conceived it was singular in focus: produce a feature-length film on the arrest and trial -- think “American Hustle” meets “The People Vs. Larry Flynt.”
Maybe some screenwriters have a clear distinction between research and writing phases while writing a historical fiction. That has not been the care for me. I researched and wrote, then researched some more.
All along the way, I’ve been sharing the process and the bits history I’ve uncovered.
Somewhere along the way, we decided this rich American story is worth sharing as a documentary.
Doda would have been one of the stars.
I’d resisted the urge to rush right into calling Doda early in the process, but more than a year ago a summoned the courage to call Miss Doda. I looked up the number to her San Francisco lingerie shop and dialed it up.
The problem was she said she had not been to Sacramento and did not perform at the trial. Rather than trying to convince her otherwise, I politely let her off the hook and resolved to try to meet her face-to-face once I had the pictures to show her.
Now I have the photos, but Doda is no longer with us.
Former KCRA reporter Steve Swatt said her appearance was a highlight of the trial.
“Carol Doda was the main attraction in Sacramento's famous topless-bottomless obscenity trial in the late 1960s. She testified at the trial by performing her San Francisco act -- topless, of course -- at what was then the Largo nightclub on Fair Oaks Boulevard,” said Swatt, who covered the trial. “Needless to say, her appearance in front of judge, jury, attorneys, media and curious onlookers was the highlight of the trial.”
The San Francisco Chronicle credited with helping take the strip tease out of the fringe and exposing it mainstream audiences.
Using her loss as added motivation, stay tuned for announcements aimed at kicking the documentary project into high gear. If you’d like to help please contact Ed Fletcher at pinkfilm1969@gmail.com.

Orangevale's Pink Pussy Kat left legacy

Orangevale's Pink Pussy Kat a Go-Go may have been short-lived and lacking in grandeur, but it left its mark on American culture through its challenge of perceived and later instituted indecency standards. Having found no recorded account of the club or the trial, I wrote one based on news stories obtained through The Sacramento Bee and an autobiography written by former exotic performer Susanne Haines Register. Please help me improve on this article. -- Ed Fletcher

Tavern owner Leonard Glancy
 is flanked by dancers
Susanne Haines (left) and Shiela Brendenson  Sacramento Bee August 27, 1969

Orangevale strip club impact outlasts club

The Pink Pussy Kat was a beer bar and strip club noted for its legal wranglings with county and state authorities over indecency standards in the late 1960s and early 1970s. It was located in Orangevale, CA, about 25 miles northeast of Sacramento. 

The bar, which featured beer, food, pool tables and topless (and sometimes bottomless) barmaids is believed to have closed on or around the March 1976 death of owner Leonard Glancy. It was located at 9346 Greenback Lane, in a drab Orangevale shopping plaza.

Sacramento County Sheriff "Big" John Misterly actively sought to reign in the 1960s counterculture movement and tasked detectives with making regular check at the region's adult-themed bars.

On July 27, 1969, dancers Susanne Marie Haines, 22, and Sheila Brandenson,  were arrested after performing fully nude. Owner Leonard Glancy was taken in as well. Topless had been the acceptable practice. Presiding over the trial was Sacramento Superior Court Judge Earl Warren, Jr., who happens to be the son of former California Governor and Supreme Court Chief Justice Earl Warren. Warren still resides in the Sacramento area.

The trial made national headlines after Warren agreed to a defense motion to temporarily move the proceeding to the club and allow the jury to see the offending performance. On Sept. 17, Haines attempted to replicate the dance for which was was arrested. She danced to "Suzy Q," and songs by the Byrds and Jimi Hendrix under dim lights with psychedelic art projected on the walls. On Sept. 22, noted San Francisco topless performer Carol Doda also performed for the jury.

The dancers and Glancy were acquitted Oct. 2, 1969, by the 10-man, two-woman jury, but that was far from the end of the legal fight over nude dancing.

On Oct. 21, Sacramento County enacted an ordinance prohibiting topless and bottomless dancing, and topless waitresses.

Glancy and Haines challenged the constitutionality of the ordinance.

During the legal fight, Glancy turned to various other means to keep his business going, including offering patrons a closed-circuit broadcast of on-site strip performances and putting dancers in see-through panties.

The result of the case, which was combined with other challenges from similar laws, is California’s current practice of not allowing alcohol at fully-nude strip clubs based health code rules.

On May 12, 1970, Glancy was arrested in the shooting of a patron in the parking lot. Glancy claimed it was in defense.

Shortly after her indecency acquittal, Haines left the Pink Pussy Kat. To further her career as striptease performer and capitalize on her notoriety, she began touring gentlemen's clubs across the country as a featured performer. In 1971, she won the title of Miss Nude Cosmos, often known by its more legally dubious name, Miss Nude Universe. During her time on the road, doing a week or more stints at strip clubs, she was arrested more than a dozen times for performing bottomless. By her account, these dances -- and her arrests -- were part publicity stunt, part legitimate act of free expression.

Death records indicate Glancy died in March of 1976.

It’s unclear when the club closed.  

In 1978, Haines, under her married name Susanne Haines Register wrote, “Take It All Off,” an autobiography that followed her path from Mormon schoolgirl to “dope-smoking” dancer and on to her eventual self-described “salvation.”

Dancer's memoir reveals church, closer Sacramento connection

"Take It All Off" by Susanne Haines Register, 1978

"Susanne wrote a memoir."

That's was the new fact staring at me via a facebook message.
It would have been nice to know that three years ago when I started this screenplay.
"Take It All Off," by Susanne Haines Register, was released by Beta Books of San Diego in 1978.
The book covers her early life, the Sacramento indecency trial, her reign as Miss Nude Universe and more than a year traveling the country as a headlining exotic dancer.
For the uninitiated,  my screenplay "Pink" focuses on Susanne's 1969 arrest and trial. The case became national news when the trial judge decided that for the jury to determine whether the dance violated community standards they'd have to see it.
News clips and the accounts of the reporters that covered it form the bulk of my research. When the script started it was a 15-minute short film I expected to produce for a few thousand dollars. But when I embarked on expanding it, it never occurred to be to exhaustively research the story before leaping into the feature length version.
Reading the news clips gave me the rough outline of what happened, but not much of a sense of the person. The Bee and other news outlets covered the story, but kept their toe in the shallow end. I knew a little more about details about the Sheriff Misterly and trial Judge Earl Warren Jr., who happens to be son of the former Supreme Court Justice, but as the story went through revisions it was clear Susanne was the star.
Why did she get arrested seven times for performing bottomless? I didn't know for sure so I filled in the blanks. I gave her voice.
The book -- somehow invisible to google searches -- provides tantalizing new details. Susanne was born Susanne Tropper (March 13, 1947) to Frank Julius Tropper and Alice May (Simpson) Tropper. Family tragedy forced her to harden fast as she split time growing up between Sacramento's suburbs (Fair Oaks and Roseville) and Provo, UT. After a tumultuous childhood, she won Miss Placer County at age 16 before finding her way to the stage of Orangevale's Pink Pussy Kat.
While the book is lacking in literary grace, it's a flashlight into the shadowy '70s strip club circuit. Susanne represented the highest ideals of the craft in fighting for free expression, but also saw the lows exotic dance.
My task now is to see how the new facts fit into my pre-existing world.

Historic pussy kat photos hard to find

"Bottomless trial" defendants (tavern owner Leonard Glancy with Susanne Haines (left) and Shiela Brendenson) await the day's court appearance before Municipal Judge Earl Warren Jr.. Sacramento Bee August 27, 1969

Mini-documentary to proceed film, educate public, build audience 

Finding pictures of Orangevale's long-closed Pink Pussy Kat a Go-Go has turned out to be much more of a project than I expected. That's one thing documentaries don't come out and tell you: how hard it was to find the historic photos and interview subjects.
When I first started my screenplay "Pink," I was quick to dismiss any thought of doing it as a documentary. But as the project moved along, it became increasingly clear that telling this story as it really happened is also part of my mission.
For those new to this blog, in 1969 two dancers and the owner of the Pink Pussy Kat were arrested and went on trial for indecent exposure after the dancer performed without panties.
The trial became a nation story with Judge Earl Warren Jr. moved the trial to a strip club to allow the jury to see the exotic "bottomless" dance.
This photo, featuring the tavern owner Leonard Glancy and dancers Susanne Haines (left) and Shiela Brendenson, was obtained through the Center for Sacramento History.
The Sacramento Bee photo dated Aug. 27, 1969 shows the three awaiting  the day's court appearance before Municipal Judge Earl Warren Jr.
I've made some effort to find photographs of the club, the dancers, the scene, but in the coming weeks it will be time to take those efforts to a new level, hopefully with news coverage, advertising and an organized effort to hit up the places old men frequent. I'll update the post as more details become available.
The plan is for the mini-documentary to increase interest in the film. Have ideas on ways to find photos and live stories? Better yet want to help track down some of these people?

May busy, exciting time on film front

By Ed Fletcher
Early May looks like it's going to be an incredibly busy and exciting time for me. In a matter of days, I'm throwing a party in Old Sacramento, staging a photo shoot and my film short "Goldie" is screening in Seattle.
May 1: Party for "Pink"
May 3: Pink photoshoot
May 4: "Goldie" screening

Party for "Pink" is a chance to generate excitement around my feature film project "Pink" among Sacramento International Film Festival attendees and general Sacramento public.
The free event at Vega's Underground in Old Sacramento will feature 70s rock from cover band Lane 5, burlesque performances and comedy. The fun starts at 9 p.m.

On May 3, I'm turning Sacramento's Blue Lamp back into a strip club for a photo shoot. Behind the camera will be Sacramento photographer and visual artist Melissa Uroff.

Then on Monday, May 4 I fly to Seattle to be on hand as "Goldie," the short film I wrote and produced, screens as part of the Seattle Transmedia & Independent Film Festival. It's part of a night of LGBTQ-friendly films and live drag show.

Whew!

Producer appearance as guest to burlesque show

Call it the lifecycle of the writer/producer.
For the better part of a year, I spent nights and weekends turning down invitations so I could spend more time sequestered to my keyboard.
Now with the pendulum swung toward producer, I'm in the streets trying to network my script into existence.
Last night, plunked in the front row a burlesque show with two lovely legends of the craft on either side of me made up for several of those sunny Saturdays I gave up to write my screenplay "Pink."

To my right was Miss Cherry Malone, a world champion burlesque performer. To my left Miss Petty (O'Ferrell) Russell, who performed across America from the 1950s to 1970s.
The Golden Poppy Revue is a production of Miss Vivienne Fuego.

Performers included:
Legend Isis Starr, "The Goddess of Burlesque" (SF)
Sugar Cheeks-Burlesque
Jenna Jezebel
Violet Ruthless
Dahlia D'Vine
Casaba Meloune
Bella Blue-Eyes
PLUS!!!:
Torch Song Singer Roxy Vox
Swing dance performance by Felicia & Ramses
Sideshow performer Ryan Dile
Comedy by "Sacramento's Sweetheart", Steph Garcia,

#Sacramento #burlesque comes alive at Colonial #theater #sexy #dance #arts #edm #music

A video posted by Ed Fletcher (@perpetualf) on Mar 1, 2015 at 1:45pm PST

Burlesque legend Angel Walker talks taking it off

Burlesque Legend Angel Walker, better known as Satan's Angel, has lived such an incredible life that hours into a conversation she still finds new ways to shock you.
From San Francisco's North Beach to the world's stage, her story is the subject of the documentary "Satan's Angel: The Queen of Fire Tassels."
In hopes of better understanding my screenplay "Pink" and Orangevale's "Pink Pussy Kat," I reached out to Ms. Walker.
The result was a delightful conversation about burlesque, go-go, striptease and exotic dancing in the late 60s and early 70s.
She could not tell me much about the Pink Pussy Kat or the dancer at the center of the trial Susanne Haines, but that's not to say there wasn't much to learn from that unguarded spark plug of a woman. Here's a piece of our conversation: